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FENDER SERIAL NUMBER TELECASTER squier Series beautiful rare EMS F/S*
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1974 Yamaha YZ250A Rear Inner Fender Fiberglass YZ 250 431 Serial Number
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- The Fender serial number decoder currently supports all documented MIA, MIJ, MIM, MIK and MII formats with the exception of Custom Shop, Relic and Reissue instruments. Please note that fender serial numbers tend to overlap by at least a year, and thereby the date of your guitar can only be approximated.
- Save fender serial number lookup to get e-mail alerts and updates on your eBay Feed. + Items in search results. FENDER Duo Sonic II (Serial Number: 106937) See more like this 'Custom Built' Engraved Micro Tilt Neck Plate - Choice of colors and designs. New (Other) $24.95.
Classic Serial Numbers - 1954 - 1963. By mid-1954, Fender began using a universal serial number sequence for all its instruments. At this time, the location of the serial number also shifted from the bridge to the neckplate (the metal plate located on back of where the neck meets the body). Squier & Fender Identification websites. Hi everyone, Can you please help me out, im searching for hours, but cant find info thats sure. So im thinking to buy a squier, something series, i cant read it on the picture, the owner dont know what i want. The numbers were easier to find, those are the following: cy81011996. The serial numbers do not reflect this change - Fender continued to make instruments using existing serial number schemes. The new Fender did not acquire any physical assets of the old company, just the name 'Fender'. Oct 24, 2014 The Guitar Dater Project - Fender Serial Number Decoder Enter in your serial number and the country of origin and find out where and when your guitar was made, also find a little description of the shops history. Personally i find this tool to be pretty interesting.
DATING FENDER AMPS BY SERIAL NUMBER, PART VIby Greg Gagliano
Copyright 2010, Vintage Guitar Magazine
This article updates information from research started in 1995 and most recently published in 2002.The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers.Advances have been made with regards to the production of 1960-67 tolex amps and it appears that much of this information can be applied to late 1950s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate.That’s the good news.The bad news is that there is still a lot of work that needs to be done on the silverface amps.
Unfortunately, there is some sad news to report as well.Fellow Fender amp researcher, Greg Huntington, passed away June 5, 2007 after losing his battle with cancer.Greg kept his illness very private, even from this author.His passing is a great loss to this research team and the Fender amp aficionado community in general.Greg was passionate about Fender amps and his knowledge, insight and humor will be missed very much.
Paul Linden has volunteered to fill in for Greg.Paul worked with Greg on their small box brown Twin myth busting research and is extremely knowledgeable about Fender amps in general with a specialization in the brown and blonde amps.
Since 2002, more interesting factoids of interest have surfaced and are presented here.
Caveat emptor!Interest in vintage Fender amps really took hold about 8-10 years ago.As a result, there are a lot of amps out there that may look original, but are not.Yes, just as with vintage Fender guitars that get the “partocaster” treatment, Fender amps are suffering the same fate.There are some bad guys out there selling Fender amps of dubious origins, so it’s important to get this info into the public domain.Some things are very obvious such as non-original or reconed speakers, non-original transformers, replaced pots, re-tweed, re-tolex, re-grill, etc. and these changes are often disclosed and of a non-malicious nature.But other changes may be meant to deceive.
Other things to look for include chasses placed in cabinets from a different year, “doctored” tube charts, non-original control plates (usually reproductions) on silverface amps, original transformer bell ends (they have correct date codes, of course) on non-original transformers, and non-original knobs (either repro or silverface knobs on blackface amps).These modifications are making this research more difficult for a couple of reasons.First, the parts that don’t make sense must be reconciled and second, shady sellers aren’t disclosing or allowing close scrutiny of their amps (for obvious reasons).The bottom line is to do your homework or enlist the aid of an expert.
Do you have a silverface Twin Reverb Amp or Dual Showman Reverb Amp with the serial number A23373?A lot of people do and here’s a plausible explanation based on the evidence.Sometime in 1970, Fender ordered a bunch of Twin Reverb/Dual Showman Reverb chasses from their supplier.The machine that stamped the serial number into the back of the chassis got stuck on number A23373 and a lot of pieces were stamped with this number.It would have been very costly to destroy these units so two remedies were implemented.First, a foil sticker containing a 4-digit serial number was affixed to the chassis over the A23373.Unfortunately, these often peeled off or were removed by the amp’s owner thus revealing the A23373 number.The second thing that was done was the addition of another number stamped into the chassis as a suffix to the A23373 serial number, e.g. A23373-155.
So how many of these chasses were made?Well, for the 4-digit serials affixed on a foil sticker, numbers as low as 0127 and has high as 3765 have been observed.Assuming they were all used sequentially and starting at 0100, there would be around 3700 non-master volume silverface Twin Reverbs and Dual Showman Reverbs out there.The amps that received the stamped suffix must also be added to this sub-total.The lowest suffix observed to date is A23373-39 and the highest is A23379-2916.Assuming the suffixes started with -01 and went to -3000, there would be around 3000 of these floating around.Of course, this is all hypothetical, but still plausible.
In addition to A23373, it appears the stamping machine stuck on serial number A23378 as four distinct amps with this number has been reported.Could it be the machine also got stuck on A23374, -75, -76, and -77?These have not been observed or reported so the answer remains unknown.
Fender had a big transitional year for their amps in 1960.The tweed amps were being phased out and the brown/blonde amps were introduced.Although there are always strange amps from any era (tweed, brown/blonde, blackface, silverface), more changes probably occurred in 1960 than any other year.A lot of unusual things can be found such as the empty “Pulse Adjust” hole on the rear of early ’60 brown amps, the “middle” volume control, use of tweed style grill cloth, strange non-documented transitional circuits, and changes in tolex color including the super-rare cream colored “brown” tolex that is found on some late ’60 amps.
But changes took place in 1961 as well.This was the first year for the blonde 6G9 Tremolux.The first Tremolux (6G9) used 6BQ5 power tubes and later in the year, the 6L6GC-equipped Tremolux (6G9-A) took its place.That’s common knowledge.To make things more interesting, there were two versions of the 6G9 6BQ5 circuit.The earliest version had 12 coupling caps.The best estimate is that about 100 of these were made before the circuit was revised.The revised amp had 14 coupling caps and there may have been upwards of 150 made.Since these amps are so rare, it is impossible to comment on the technical or tonal differences between the two circuits.
Another anomaly was observed in 1961 with the 6G6-A Bassman.It seems that some of these amps were fitted with an output transformer from the blonde Twin Amp during the autumn of ’61.These examples all have the GZ34 rectifier tube (as found in the 6G6), yet the tube charts are 6G6-A.The 6G6-A lost its rectifier tube in favor of solid state rectification and its 1x12 8-ohm speaker in favor of a 2x12 4-ohm cabinet in December ’61.However, on the very first examples of this amp made in December ’61 and the first half of January 1962, Fender didn’t change one very important item – the output transformer.
Rather than waste those 8-ohm output transformers in stock from previous 6G6 production, Fender used them up on the first 6G6-A with 4-ohm speaker cabinets.Yes, Fender went with a deliberate mismatch, not unlike the 3x10 brown Bandmasters that shipped with 8-ohm output transformers.Very few of these were and those who own one of these oddballs can either be happy with the fact that it is a rare amp or be sad that the mismatched impedance means the amp is less efficient.Regardless, it is still a good sounding amp so that’s all that counts.
And now for an important update!The following charts are the revised dating tables for Fender tube amps.The revisions were made based on data collected since the tables were initially published.Some tables changed very little and others changed quite a bit.Unfortunately, good dating information for silverface amps from the 1970s is still lacking and that’s why there isn’t much new information for amps made from 1972-76.For some reason, folks are willing to poke their head into tweed, blonde, brown and blackface amps, but not into silverface amps.Perhaps the collectability of these more recent models, though still climbing, isn’t at a high enough level to generate the interest.Without date codes from transformers, pots and/or speakers, it’s not possible to predict amp dates by serial number.
Eventually, the hope is to have enough info for a more detailed breakdown on the B series, A+6 digit and F+6 digit series.For now, the dating schemes for these series are:
A6 + 5-digits – 1976-77
A7 + 5-digits – 1977-78
A8 + 5-digits – 1978-79
A9 + 5-digits – 1979-80
B + 5-digits – 1975, 1976
F9 + 5-digits – 1979-80
F0 + 5-digits – 1980-81
F1 + 5-digits – 1981-82
F2 + 5-digits – 1982-83
F3 + 5-digits – 1983-84
F4 + 5-digits – 1984
Finally, these tables are only a guide.There will be amps with serial numbers that lie outside of the listed ranges.This is no different with published dating tables for vintage Fender guitars and basses.For better or worse, this concept is common to this endeavor.
Bandmaster 5C7, 5D7 (tweed)
0001 to 0800 – 1953
5000 to 5600 – 1954
Bandmaster 5E7 (tweed)
S00001 to S00600 – 1955
S00500 to S01200 – 1956
S01200 to S01800 – 1957
S01800 to S02500 – 1958
S02500 to S03700 – 1959
Bandmaster 5G7, 6G7 (brown)
00001 to 01750 – 1960
Bandmaster 6G7, 6G7-A (blonde)
01750 to 02400 – 1960
02300 to 05200 – 1961
52000 to 57000 – 1962
57000 to 59400 – 1963
Bandmaster AA763, AB763 (blackface)
A00590 to A01700 – 1963
A01700 to A07700 – 1964
A07700 to A17000 – 1965
A16000 to A22000 – 1966
A19700 to A27000 – 1967
Bandmaster AB763, AC568 (silverface)
A26000 to A29000 – 1967
A28500 to A35000 – 1968
A33000 to A34000 – 1969
A34000 to A46000 – 1970-72
Bandmaster Reverb AA768, AA1069, AA270, TFL5005 (silverface)
A30500 to A35000 – 1968
A35000 to A45000 – 1969
A45000 to A49000 – 1970
A49000 to A54000 – 1971
A54000 to A58000 – 1972
A58000 to A66000 – 1973
A66000 to A76000 – 1974
A76000 to A79000 – 1975
A79000 to A80000 – 1976
Bassman 5B6 (tweed)
0001 to 0350 – 1951 (TV front)
0250 to 0400 – 1952 (Wide panel)
0400 to 0650 – 1953 (Wide panel)
Bassman 5D6, 5D6-A (tweed)
0001 to 0100 – 1954
0100 to 0900 – 1955
Bassman 5E6, 5E6-A (tweed)
BM00200 to BM00550 – 1955
BM00550 to BM01200 – 1956
BM01200 to BM01600 – 1957
Bassman 5F6, 5F6-A (tweed)
BM00001 to BM00450 – 1957
BM00450 to BM01500 – 1958
BM01500 to BM03100 – 1959
BM03100 to BM04600 – 1960
Bassman 6G6, 6G6-A, 6G6-B (blonde)
BP00100 to BP01100 – 1961
BP01100 to BP05100 – 1962
BP05100 to BP08400 – 1963
BP08400 to BP12200 – 1964
Bassman AA864, AA165, AB165 (blackface)
A00100 to A03800 – 1964
A03800 to A15000 – 1965
A15000 to A25000 – 1966
A24000 to A33300 – 1967
Bassman AB165, AC568, AA270, AA371 (silverface)
A33300 to A40000 – 1967
A39000 to A49000 – 1968
A48000 to A58000 – 1969
A58000 to A60000 – 1970
A59000 to A64000 – 1971
Bassman 50 (silverface)
A62000 to A67000 – 1972
A67000 to A70000 – 1973
Bronco AB764 (silverface)
A19000 to A21000 – 1967
A21000 to A26000 – 1968
A26000 to A28500 – 1969
A28500 to A29000 – 1970
A29000 to A32000 – 1971
A32000 to A35000 – 1972
A33000 to A40000 – 1973
A40000 to A42000 – 1974
A42000 to A51000 – 1975
Champion 800 (tweed)
01 to 1000 – 1948-49
Champion 600 5B1 (tweed)
01 to 1300 – 1948-49
1300 to 1700 – 1950
1700 to 4200 – 1951-52
Champ 5C1, 5D1 (tweed)
4200 to 6600 – 1953
6600 to 8000 – 1954
8000 to 9300 – 1955
Champ5E1, 5F1 (tweed)
C00001 to C00800 – 1955
C00800 to C03100 – 1956
C03100 to C06000 – 1957
C06000 to C08900 – 1958
C08900 to C12400 – 1959
C12400 to C15400 – 1960
C15400 to C17200 – 1961
C17200 to C19800 – 1962
C19800 to C21000 – 1963
C21000 to C22900 – 1964
Champ AA764 (blackface)
A00100 to A02000 – 1964
A02000 to A05100 – 1965
A05100 to A11200 – 1966
A11200 to A12500 – 1967
Champ AA764 (silverface)
A12500 to A14600 – 1968
A14600 to A17800 – 1969
A17800 to A30000 – 1970
A30000 to A32000 – 1971
A32000 to A35000 – 1972
A32000 to A42000 – 1973
A42000 to A50000 – 1974
A50000 to A63000 – 1975
A63000 to A85000 - 1976
Concert 5G12, 6G12, 6G12-A (brown)
00001 to 02400 – 1960
02300 to 04900 – 1961
52000 to 57000 – 1962
56000 to 59300 – 1963
Concert AA763, AB763 (blackface)
A00400 to A00900 – 1963
A02100 to A08500 – 1964
A08500 to A09800 – 1965
Model 26 Deluxe (woodie)
100 to 1500 – 1946-48
Deluxe 5A3, 5B3 (tweed)
001 to 800 – 1948
800 to 1800 – 1949
1800 to 3000 – 1950
3000 to 5400 – 1951
5400 to 6800 – 1952
6800 to 7500 – 1953
Deluxe 5C3, 5D3 (tweed)
0001 to 1600 – 1953
1600 to 3600 – 1954
3600 to 5300 – 1955
Deluxe 5E3 (tweed)
D00001 to D01400 – 1955
D01400 to D02800 – 1956
D02800 to D04900 – 1957
D04900 to D06800 – 1958
D06800 to D09000 – 1959
D09000 to D10300 – 1960
D10300 to D10700 – 1961
Deluxe 6G3, 6G3-A (brown)
D00100 to D00900 – 1961
D00900 to D03800 – 1962
D03800 to D04900 – 1963
Deluxe AA763, AB763 (blackface)
A00100 to A00600 – 1963
A00600 to A02800 – 1964
A02800 to A05600 – 1965
A05600 to A05900 – 1966
A05900 to A06500 – 1967
Deluxe Reverb AA763, AB763 (blackface)
A00100 to A00300 – 1963
A00300 to A03900 – 1964
A03900 to A12800 – 1965
A12000 to A18400 – 1966
A18400 to A24000 – 1967
Deluxe Reverb AB763, AB868 (silverface)
A24000 to A26000 – 1967
A26000 to A28500 – 1968
A28500 to A33000 – 1969
A32700 to A33000 – 1970
A33000 to A34500 – 1971
A34500 to A36000 – 1972
A36000 to A39000 – 1973
A39000 to A42000 – 1974
A42000 to A43000 – 1975
A43000 to A45000 – 1976
Dual Showman AA763, AB763 (blackface)
A00100 to A01500 – 1963
A01500 to A01800 – 1964
A01800 to A04300 – 1965
A04300 to A07800 – 1966
A07800 to A12000 – 1967
Dual Showman AB763, AC568 (silverface)
A12000 to A12500 – 1967
A12500 to A16000 – 1968
Dual Showman Reverb AA768, AA769, AA270, TFL5000 (silverface)
A10600 to A16500 – 1968
A16500 to A22400 – 1969
A21700 to A25600 – 1970
A25600 to A37000 – 1971
A37000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976
Harvard 5F10 (tweed)
H00001 to H00500 – 1956
H00500 to H01300 – 1957
H01300 to H02000 – 1958
H02000 to H02600 – 1959
H02600 to H03300 – 1960
H03300 to H03800 – 1961
Musicmaster Bass CFA-7010 (silverface)
A00100 to A01000 – 1970
A01000 to A02500 – 1971
A02500 to A04100 – 1972
A04100 to A07900 – 1973
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A07900 to A09500 – 1974
A09500 to A09800 – 1975
A09800 to A10500 – 1976
2500 to 3600 – 1953
3600 to 4400 – 1954
4400 to 4800 – 1955
P0001 to P00375 – 1955
P0001 to P01100 – 1956
P01100 to P02500 – 1957
P02500 to P03100 – 1958
P03100 to P04300 – 1959
P04300 to P05300 – 1960
P05300 to P05600 – 1961
P00100 to P00900 – 1961
P00900 to P05100 – 1962
P05100 to P07200 – 1963
P07200 to P09900 – 1964
Princeton AA964 (blackface)
A00100 to A02500 – 1964
A02500 to A07000 – 1965
A05000 to A09900 – 1966
Princeton AA964 (silverface)
A09900 to A11000 – 1967-68
A11000 to A15000 – 1969-70
Princeton Reverb AA1164 (blackface)
A00100 to A02100 – 1964
A02100 to A07100 – 1965
A06500 to A14700 – 1966
A14700 to A18700 – 1967
Princeton Reverb AA1164, B1270 (silverface)
A18700 to A19500 – 1967
A19500 to A22000 – 1968
A22000 to A25500 – 1969
A23000 to A25000 – 1970
A25500 to A26000 – 1971
A26000 to A27500 – 1972
A27500 to A30000 – 1973
A30000 to A32500 – 1974
A32500 to A34500 – 1975
A34500 to A36000 – 1976
Pro 5A5, 5B5, 5C5, 5D5 (tweed)
01 to 600 – 1948
600 to 1100 – 1949
1100 to 1800 – 1950
1800 to 2500 – 1951
2500 to 3500 – 1952
3500 to 4800 – 1953
4500 to 5900 – 1954
59000 to 6100 – 1955
Telecaster Model By Serial Number
Pro 5E5, 5E5-A, 5E5-B (tweed)
S00080 to S00350 – 1955
S00350 to S01200 – 1956
S01200 to S01900 – 1957
S01900 to S02500 – 1958
S02500 to S03600 – 1959
Pro 5G5, 6G5, 6G5-A (brown)
00001 to 02000 – 1960
02300 to 05200 – 1961
53000 to 57500 – 1962
58000 to 58100 – 1963
Pro AA763, AB763 (blackface)
A00170 to A01800 – 1963
A02700 to A06500 – 1964
Pro Reverb AA165 (blackface)
A00100 to A02700 – 1965
A02700 to A06200 – 1966
A06200 to A10200 – 1967
Pro Reverb AA1265, AB668, AA1069, AA270 (silverface)
A10300 to A12000 – 1968
A12000 to A13300 – 1969
A13300 to A14500 – 1970
A14500 to A15000 – 1971
A15000 to A15600 – 1972
A15600 to A17200 – 1973
A17200 to A19700 – 1974
A19700 to A20000 – 1975
A20000 to A21200 – 1976
Quad Reverb CFA7104 (silverface)
Fender Serial Number Lookup Year
A34800 to A37000 – 1971
A37000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976
Reverb Unit 6G15 (brown, blonde, blackface)
R00100 to R00900 – 1961
R00900 to R02600 – 1962
R02600 to R04800 – 1963
R04800 to R07400 – 1964
R07400 to R09800 – 1965
R09800 to R11000 – 1966
Showman 6G14, 6G14-A (blonde)
00001 to 00350 – 1960
00200 to 00800 – 1961
00800 to 01500 – 1962
01500 to 01900 – 1963
Showman AA763, AB763 (blackface)
A00100 to A01500 – 1963
A01500 to A01800 – 1964
A01800 to A04300 – 1965
A04300 to A07800 – 1966
A07800 to A12000 – 1967
Showman AB763 (silverface)
A12000 to A12500 – 1967
A12500 to A16000 – 1968
Super incl. Dual Professional (tweed)
01 to 400 – 1946-47
400 to 1300 – 1948-51
2000 to 5000 – 1952-53
5000 to 6000 – 1954
6000 to 6100 – 1955
Super 5E4, 5F4 (tweed)
S00001 to S00300 – 1955
S00300 to S00800 – 1956
S00800 to S01700 – 1957
S01700 to S02500 – 1958
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S02500 to S03500 – 1959
Super 5G4, 6G4, 6G4-A (brown)
00001 to 02600 – 1960
02600 to 04600 – 1961
04500 to 05200 – 1962
52000 to 57500 – 1962
57000 to 59400 – 1963
Super Reverb AA763, AB763 (blackface)
A00100 to A00600 – 1963
A00600 to A06000 – 1964
A06000 to A13000 – 1965
A13000 to A20000 – 1966
A20000 to A27000 – 1967
Super Reverb AB763, AB568, AA1069, AA270 (silverface)
A26000 to A29000 – 1967
A29000 to A35000 – 1968
A35000 to A45000 – 1969
A45000 to A49000 – 1970
A49000 to A54000 – 1971
A54000 to A58000 – 1972
A58000 to A66000 – 1973 https://omgmetal.netlify.app/universal-usb-controller-driver-dell.html.
A66000 to A76000 – 1974
A76000 to A79000 – 1975
A79000 to A80000 – 1976
B59000 to B60000 – 1976
Super Six Reverb CFA7106 (silverface)
A33000 to A37000 – 1971
A37000 to A50500 – 1972
A50500 to A67000 – 1973
A67000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976
Tremolux 5E9, 5E9-A (tweed)
0001 to 00650 – 1955
00650 to 00950 – 1956
00950 to 01200 – 1957 Kik download for windows 8.
01200 to 01800 – 1958
01800 to 02700 – 1959
02600 to 03300 – 1960
Tremolux 6G9, 6G9-A, 6G9-B (blonde)
00100 to 00950 – 1961
00950 to 04800 – 1962
04500 to 05900 – 1963
Tremolux AA763, AB763 (blackface)
A00100 to A00500 – 1963
Fender Stratocaster Serial Numbers Guide
A00500 to A03700 – 1964
A03200 to A05700 – 1965
A05200 to A08100 – 1966
Twin 5C8, 5D8, 5D8-A, 5E8, 5E8-A (tweed)
001 to 600 – 1953-55
A00100 to A00725 – 1955-57
Twin 5F8, 5F8-A (tweed)
A00001 to A00780 – 1957-60
Twin 6G8, 6G8-A (blonde)
00001 to 00100 – 1960
00100 to 00225 – 1961
00225 to 00400 – 1962
00400 to 00525 – 1963
Twin Reverb AA763, AB763 (blackface)
A00100 to A01000 – 1964
A01000 to A04300 – 1965
A04300 to A07000 – 1966
A07000 to A10400 – 1967
Twin Reverb AB763, AC568, AA769, AA270 (silverface)
How to download video from camera. A10400 to A10500 – 1967
A10500 to A16000 – 1968
A16000 to A21500 – 1969
A21500 to A25600 – 1970
A25600 to A37000 – 1971
A37000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976
Vibrasonic 5G13, 6G13, 6G13-A (brown)
00001 to 00350 – 1960
00200 to 00800 – 1961
00800 to 01500 – 1962
01500 to 01900 – 1963
Vibro Champ AA764 (blackface)
A00100 to A01300 – 1964
A01300 to A09300 – 1965
A09300 to A16500 – 1966
A16500 to A20500 – 1967
Vibro Champ AA764 (silverface)
A19000 to A21000 – 1967
A21000 to A26000 – 1968
A26000 to A28500 – 1969
A28500 to A29000 – 1970
A29000 to A32000 – 1971
A32000 to A35000 – 1972
A33000 to A40000 – 1973
A40000 to A42000 – 1974
A42000 to A51000 – 1975
A51000 to A53000 – 1976
B64600 to B66200 – 1976
Vibrolux 5F11 (tweed)
F00001 to F00300 – 1956
F00300 to F00900 – 1957
F00900 to F01600 – 1958
F01600 to F02800 – 1959
F02800 to F04000 – 1960
F04000 to F04400 – 1961
Vibrolux 6G11, 6G11-A (brown)
00100 to 00700 – 1961
00700 to 04200 – 1962
04200 to 05500 – 1963
Vibrolux AA763 (blackface)
A00100 to A01300 – 1964
Vibrolux Reverb AA864 (blackface)
A00100 to A00850 – 1964
A00850 to A03900 – 1965
A03600 to A08300 – 1966
A08300 to A10700 – 1967
Vibrolux Reverb AA864, AA964, AB568, AA270 (silverface)
A10700 to A11000 – 1967
A11000 to A12000 – 1968
A12000 to A13600 – 1969
A13600 to A23400 – 1970
A23400 to A24500 – 1971
A24500 to A25000 – 1972
A25000 to A27000 – 1973
A27000 to A31500 – 1974
A31500 to A33000 – 1975
A33000 to A34000 – 1976
Vibrosonic Reverb (silverface)
A43000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976
Vibroverb 6G16 (brown)
00100 to 00600 – 1963
Vibroverb AA763, AB763 (blackface)
A00100 to A00400 – 1963
A00400 to A05300 – 1964
Here is another caveat about reading these tables. Given that people may refer to this information seeking specific production quantities of amps they are curious about, it should be pointed out that the serial numbers apply to chassis types, and not specifically to amplifier models. Looking at serial numbers next to the ’60 5G5 brown Pro Amp for example, we see numbers ranging from 00001 to 02000, suggesting that there are 2000 of these amplifiers made in ’60. Since several models can share one chassis type (for example, the early brown 5G7 Bandmaster, 5G5 Pro and 5G12 Concert), this kind of interpretation is inaccurate. Instead, there were approximately 2000 of these chasses produced, which then ended up as one of the three models in question. It would be more accurate to say that approx 650 of each of these models were produced in ’60.
Thanks to everyone who sent information about their amp(s).Many thanks to Andrew Waugh for his help with the 1982-84 tube amps.Andrew works in parallel with this research, but is specializing in the Rivera era blackface amps.As with the late ’70s serialization patterns, the early 1980s amps are a tough nut to crack and his task is even more daunting because the solid state amps also get thrown into the mix.
Special thanks to Bassman specialist extraordinaire, Clarke Blanton for his assistance with updating the Bassman dating tables and providing other Bassman facts and figures.Not too many people know more about the Bassman than Clarke.
Extra special thanks to co-researchers, Devin “The Tweed King” Riebe, Paul Linden, and the late Greg Huntington, for their invaluable assistance with collecting data and information about Fender amps.
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